Tag: j d salinger

The most explicitly Buddhist of Salinger’s stories, the titular character here is a preternaturally wise child who is apparently some sort of Buddhist panjandrum who fell from grace and as a means of atonement was reincarnated into the body of an American (had he engaged in some somewhat less egregious behavior, his reincarnation would have been…

This is, to me, one of those stories that feels like a remnant of Salinger’s pre-New Yorker writing. Perhaps this is why it was declined by The New Yorker and instead appeared in Information World Review instead (it was, in fact, the last Salinger story that appeared outside the pages of The New Yorker). There continue to be…

This is perhaps the oddest story in the collection. The other stories in the collection tend to follow a certain pattern but this one does not. We have a somewhat mysterious scenario with a man with a young woman apparently in his apartment for a romantic adventure which is interrupted by a phone call from…

This is, as far as I’m concerned, Salinger’s greatest title (and he has some mighty fine titles, especially once we get into the uncollected stories). The structure here is a bit unusual, With the first part being a first-peron recollection of the narrator’s meeting with the titular Esmé (and her younger brother Charles). Esmé is…

The first Glass family story without a Glass fatality. I found Salinger’s use of indirect storytelling reasonably effective here. Even though we’re never in the point of view of Lionel, we still manage to get a sense of the world through his eyes. The opening section of the novel, a conversation between two of the…

In “The Laughing Man,” Salinger is telling his story while ostensibly telling a different one. It’s a great use of a narrative frame to illuminate his story in ways that wouldn’t be possible directly. We have a narrator relating memories of his nine-year-old self and not employing the understanding that the older self would have…

This is one of those Salinger stories that left me feeling, “huh?” There is the usual Salinger wit and sharp prose (certainly, this is one of my favorite titles for a Salinger story, even if the story itself is not completely satisfying). Wikipedia informs me that, “At the time of its publication, it confused yet nevertheless…

The story whose film adaptation is (at least nominally) the reason that there are no other films of Salinger works. The second of the Glass family stories, in this case with Walt Glass who appears only in recollection. Told almost entirely through dialog, it’s a good example of telling a story through indirection and omission.…